Citations

Beat the Devil. Directed by John Huston, performances by Humphrey Bogart. United Artists, 1953.

The Cheap Detective. Directed by Robert Moore, performances by Peter Falk, Madeline Kahn. Columbia Pictures, 1978.

Dickos, Andrew. Street with No Name: A History of the Classic American Film Noir. UP of Kentucky, 2002.

Dyer, Richard. "Homosexuality and film noir." Jump Cut 16.1, 1977, 18-21.

Gehring, Wes D. Parody as Film Genre: "Never Give a Saga an Even Break". Greenwood Publishing Group, 1999.

Ianiciello, Adrienne. "A Femme Fatale Fails." YouTube, www.youtube.com/watch?v=Yk9rPACMKZA.

Kiss Kiss, Bang Bang. Directed by Shane Black, Warner Bros. Pictures, 2005.

Maltby, Richard. “‘Film Noir’: The Politics of the Maladjusted Text.” Journal of American Studies, vol. 18, no. 1, 1984, pp. 49–71. JSTOR, www.jstor.org/stable/27554400. 

The Maltese Falcon. Directed by John Huston, performances by Humphrey Bogart. Warner Bros., 1941.

My Favorite Brunette. Directed by Elliot Nugent, performances by Bob Hope. Paramount Pictures, 1947.

"Nil Korkut, Kinds of Parody from the Medieval to the Postmodern.." The Free Library. 2011 Departments of English Language and Literature and American Culture and Literature, Ege University, 10 Dec. 2020.

Stoneman, Rod. "Beating the Devil." Film Ireland 116, 2007, 37.

The Third Man. Directed by Carol Reed, British Lion Film, 1949.

Vlachou, Nandia F. "Parody and Noir: More Curves Than a Scenic Railway." CURNBLOG, 5 Feb. 2014, curnblog.com/2014/02/05/parody-noir-curves-scenic-railway/.

Weiser, Peg, and Brand Zeglin. "Parody." Encyclopedia of Aesthetics, edited by Michael Kelly, Oxford UP, USA, 2014, pp. 69-72.