Beat the Devil
Beat the Devil is a Film Noir parody produced in 1953 and directed by John Huston. The films stars well-known Film Noir actor and general cultural touchstone Humphrey Bogart as Billy Dannreuther, an American reluctantly working with a gang of international crooks to obtain some Uranium-rich land in Africa. What makes this film distinctly a parody is not Billy's character, as he operates as a traditionally masculine, tough-yet-vulnerable, and ever competent Noir leading man. Instead, the way the flighty, twisting plot registers as less important than verbal quips and bizarre background characters display how this campy film functions as a Noir parody.
The Plot
There's a lot going on in Beat the Devil's plot. According to an article written by Rod Stoneman, the film's plot was loosely based on The Maltese Falcon and was meant to parody it by assembling a cast of comically immoral villains and heroes (Stoneman 37). However, Stoneman further explains that as the film was moving into the process of shooting scenes, the plot was still largely unfinished (37). Cowriters Huston and Capote finished the script and screenplay while the actors were shooting pieces of the film. This might explain why the film includes a wealth of dramatic plot points like adultery between each of the main couples, a perceived suicide when Billy's car accidentally goes off a cliff, and a shipwreck on the way to Africa that leaves the characters in the custody of soldiers that are all laughed off and treated without any weight. The adultery is never addressed as immoral and both couples happily end up just as they began, the percieved suicide is laughed off through various verbal quips, and the characters capture is solved through Billy telling an Arab leader he is friends with Film Noir superstar Rita Hayworth.
The villains chide Billy for his cowardice, when in actuallity he has found an escape by convincing the Arab leader he is friends with Rita Hayworth.
Bizarre Background Characters
This film contrasts My Favorite Brunette in the treatments of the protagonist and the rest of the cast. In MFB, Ronnie is the bizarre character as he's an everyday guy surrounded by Noir characters of the illicit and sensual underworld. In Beat the Devil, Billy is a normal Noir protagonist surrounded by cartoonish versions of Noir characters. Billy's wife Maria is the film's obvious Femme Fatale, but she spends most of her screen time obsessing over British culture and pining after an Englishman on the boat to Africa, Harry Chelm. As for the film's villains, the gang of crooks made up by one Englishman, one Russian, one Italian, and one very crazy German seem more interested in showing off their caricatured version of foreign accents than they do killing and seizing control.
This could represent a desire to preserve the patriarchal masculine image and instead offer up more marginalized groups and those with traits perceived as transgressive for subjects of both dissection and appreciation.
"Emotionally, I am English."